"We travelled to Stockholm again to play at a music festival called 'Nature Is Perverse', which was staged at Moderna Musseet and at Fylkingen. We played on this day as Kapotte Muziek, the next night as Goem at the same place. Also performing were Dror Feiler, Framers Manual, MStvostrand, Mats Lindstrom, Freundschaft, Kent Tankred, Voice Crack, Zbigniew Karkowski, Soren Runolf, Elggren/Liljenberg, Tetsuo Furudate and Small Cruel Party. They are all on the double CD that was released by Fylkingen Records in 2000.

Good memories of the 'Girl Power' concert by Mats Lindstrom which saw a whole bunch of young girls (12 years or so) playing noise. The picture of Roel here appears in the CD booklet.

Players: Frans de Waard, Peter Duimelinks, Roel Meelkop."

On August 21st 1999 my father passed away, and he was the one who gave me the name Kapotte Muziek for all music that I played and he hated. That stuck (in various ways), but it sounded good as a bandname. Normally I'd like to think that all music Kapotte Muziek plays - at least for the good part of the 25 years - is absolute music, i.e. music that has no 'programm' (politically, poetically etc.). That division comes from classical music - a subject dear to my father. So when we played at De Kelk in Brugge a few months later, we decided to play a kind of 'In Memoriam' for my father. Programm music, dealing with silence. My mother came - the only concert she ever from me, and my father never went - and thought it was 'nice, save for the louder bits which happened every now and then'. I do remember it was part of a festival, but I forgot who else played, probably Klangkrieg, as I remember Felix being there, as well as Uli Rehberg. Players were: Peter Duimelinks, Roel Meelkop and Frans de Waard. Gig 58: De Kelk, Brugge, Belgium.

In 1997 Kapotte Muziek did their first workshop, but that was late september so it will take a while before we talk about that. Today we have work from a workshop we did at the Kulturbunker Muhlheim in Cologne in 2005, organised by a true supporter of Kapotte Muziek, the ever lovely Till Kniola. There were more or less six or seven participants that day. A workshop starts at 11:00 in the morning with a general introduction (by me) on Kapotte Muziek and some examples of electro-acoustic music, then Roel explains how to make a contact microphone, which participants then make two of them themselves and Peter explains making field recordings. Then the participants go outside and find whatever junk to play on and do some field recordings. When they arrive back, the junk is connected to contactmicrophones and checked out for the sound quality and we all listen to the field recordings. There is a bit of a rehearsal and in the evening we play one or two short concerts with them and then Kapotte Muziek plays solo. In this zip file you'll find MP3 of the concerts (the first three pieces) and six field recordings. It was the first time I used a new laptop to record on and something went wrong adding some distortion to the sound, but no doubt some will like that. A few pictures are enclosed as well. The one here shows Till Kniola (left) and Roel Meelkop (right). Players were: Peter Duimelinks, Roel Meelkop and Frans de Waard, plus participants of the workshop whose names I no longer have.