Entries in section: 76 Shown entries: 61-70 |
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Bourbonese Qualk - Live @ Rock-Rendez-Vous - Lisboa (8.Dez.1987)
In Lossy |
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Downloads: 300 |
Added by: snatch |
Date: 27.10.2009
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01 Live @ 2º International Festival Of Electronic Music And Multimedia Art (2 March, 2002 Braga/Portugal) DAT Politics |
2005 |File |Earlabs |LM030 Style:
Musique Concrète,
Experimental
Gig number 94 this is, Kapotte Muziek at Broeinest in Eindhoven, The
Netherlands. A small venue, or gallery... I couldn't work it out. It
was organised by our old friend DMDN (of Midas Music), who was DJ
during the evening and who played with us on for about 1/3 of the
concert - the last third part. Also playing that night was Jos
Smolders, who was brilliant. He made a live recording using a binaural
system and I made a line recording. Jos stuck both recordings together
and released them on his own Ear Labs website, where they can still be downloaded.
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On August 21st 1999 my father passed away, and he was the one who gave
me the name Kapotte Muziek for all music that I played and he hated.
That stuck (in various ways), but it sounded good as a bandname.
Normally I'd like to think that all music Kapotte Muziek plays - at
least for the good part of the 25 years - is absolute music, i.e. music
that has no 'programm' (politically, poetically etc.). That division
comes from classical music - a subject dear to my father. So when we
played at De Kelk in Brugge a few months later, we decided to play a
kind of 'In Memoriam' for my father. Programm music, dealing with
silence. My mother came - the only concert she ever from me, and my
father never went - and thought it was 'nice, save for the louder bits
which happened every now and then'. I do remember it was part of a
festival, but I forgot who else played, probably Klangkrieg, as I
remember Felix being there, as well as Uli Rehberg. Players were: Peter
Duimelinks, Roel Meelkop and Frans de Waard. Gig 58: De Kelk, Brugge,
Belgium. |
In 1997 Kapotte Muziek did their first workshop, but that was late
september so it will take a while before we talk about that. Today we
have work from a workshop we did at the Kulturbunker Muhlheim in
Cologne in 2005, organised by a true supporter of Kapotte Muziek, the
ever lovely Till Kniola. There were more or less six or seven
participants that day. A workshop starts at 11:00 in the morning with a
general introduction (by me) on Kapotte Muziek and some examples of
electro-acoustic music, then Roel explains how to make a contact
microphone, which participants then make two of them themselves and
Peter explains making field recordings. Then the participants go
outside and find whatever junk to play on and do some field recordings.
When they arrive back, the junk is connected to contactmicrophones and
checked out for the sound quality and we all listen to the field
recordings. There is a bit of a rehearsal and in the evening we play
one or two short concerts with them and then Kapotte Muziek plays solo.
In this zip file
you'll find MP3 of the concerts (the first three pieces) and six field
recordings. It was the first time I used a new laptop to record on and
something went wrong adding some distortion to the sound, but no doubt
some will like that. A few pictures are enclosed as well. The one here
shows Till Kniola (left) and Roel Meelkop (right). Players were: Peter
Duimelinks, Roel Meelkop and Frans de Waard, plus participants of the
workshop whose names I no longer have. |
This is one of those concerts where my memory is insufficient! I don't
remember this particular gig at all. It was in Nighttown in Rotterdam
and it might have very well be that concert where we played some short
pieces with various people (whose names I don't know anymore) from the
Rotterdam Improvisatie Poel, mainly wind instruments. We all played as
the audience left to see a concert in another space, and repeated that
for, I think, three times. So three short concerts. This recording may
very well be just Kapotte Muziek, as the others played acoustically.
Part of a bigger event, but it eludes me who else played. Players were:
Peter Duimelinks, Roel Meelkop and Frans de Waard. Gig 40: Nighttown,
Rotterdam, The Netherlands. |
(2006 |File |Dystonia Recordings |DYS006MP3) Style: Industrial,
Noise,
Dark Ambient
Live recording of SoulCripple from 18.04.2003 at Silbernächte Freiberg/Germany!
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(2007 |File |Dystonia Recordings |DYS007MP3) Style: Noise,
Ambient,
Experimental,
Industrial
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Style:
Modern Classical,
Ambien, Drone
Stars Of The Lid are a difficult band to capture in words, they make
their way to the stage to a choir of Disney-esque ambiance, and from
then on you know that this show will be out of the ordinary. Adam
Wiltzie & Brian Edward McBride direct the beautiful orchestra-lite,
and they play through cuttings of their 'Tired Sounds' and more recent
'Refinement of the Decline' albums. It's a wash of sound, a couple of
violins have never sounded so big especially when the cello grinds up
from the deep to create a roar of noise, you're listening for the
distortion but it's not there. Sombre tones build and the projections
on the church walls echo it, from green primordial swamps to the
creation of the universe in its celestial magnitude, it's all painted
on the ceiling tonight.
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David Tibet - vocals Maja Elliott - piano Simon Finn - guitar Joolie Wood - violin John Contreras - cello
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