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 2010 | FLAC | Surrism Phonoethics | sPE_0015 [Abstract,
Experimental]
suRRism-Phonoethics proudly presents A Quiet Monday ‘ Asap’ by Jean Montag! This exciting EP wishes to be inhaled ASAP- ‘ A Secret Task
revealed through spiral techniques
gently told as Love confirmations threaten the Fact!’ -André Pissoir |
 File | Just Not Normal | JNN060 [Experimental]Third in the world is Just not Normal series, and once again a step up
in the retrospective megamixing of the best albums on JNN. At times 4 tracks can be heard at the same time, if you can keep track…. 00:00 Altus – Trying to elude that dark place (JNN050 CD1)
06:10 Ian D Hawgood & Miko – Mat (JNN050 CD1)
09:10 Anton Mobin – Frequence (JNN045)
15:02 Stream69 – Souvenirs from Earth (JNN046)
17:21 :retreat: – Movement 1 (JNN053)
20:35 Tim Walters - Termite college (JNN050 - CD2)
23:46 In Cognitus – GoAlgotha (JNN057)
27:29 Hannah M.G. Shapero – Name (JNN042)
30:47 Faustino Goyena – Welter Junior (JNN054)
33:04 Cousin Silas – The sinking of the Cessna (JNN048)
33:40 Emerald Adrift – Phylloxera (JNN050 – CD4)
36:34 My brother Daniel – Tight (JNN059)
40:22 Har – Denormalized (JNN050 – CD3) |
 2007 | FLAC | Digitalbiotope | db042 [Improvisation, Free Jazz, Experimental]"Посвящение Ш"
"Спонтанно родившийся проект летом 2007года на
праздновании питерского культурного центра Пушкинская-10. Квартет этот
фактически двойной дуэт: двух совсем молодых саксофонистов Ильи
Белорукова и Макса Позина и двух матерых авангардистов Влада Макарова и
Дмитрия Каховского. Причем последние оба играют на виолончелях. В
результате получился невероятно густой звук и плотная фактура
диффузного взаимопроникновения духовых и струнных. Этакий ночной кошмар
Дмитрия Шостаковича! Эта музыка уводит куда-то в мир бесконечных ШШШ,
шенбергов, шостаковичей, шнитке, штокхаузенов, просто к большому Ш -
как метафоре Новой музыки. Здесь в этом Ш сходятся традиция и
новаторство как таковое. Название Ленквартет не случайно, ибо во
времена Оные Ленинградского такого квартета и быть не могло, но очень
тогда хотелось. Вот в честь этого и появилось такое парадоксально
значимое название, придуманное ленинградцем Каховским. Сказать
про эту музыку, что станцевать архитектуру, как говаривал великий и
ужасный Фрэнк Заппа, поэтому можно только сказать: иерихонские раструбы
баритон-саксофонов завязываются в узлы от удвоенного, бесконечно
умноженного виолончельного смычка... ух!"
Влад Макаров
Dedication to "Sh"
This project arose spontaneously in the
summer of 2007 on the celebration of anniversary of St.-Petersburg
cultural center "Pushkinskaya, 10". This quartet is in fact a double
duet of two young saxophonists Ilia Belorukov and Maxim Pozin and two
inveterate avantgardists Vlad Makarov and Dmitriy Kakhovskiy, both
playing cellos. The sound turned out to be incredibly deep and the
texture is solid because of the diffusion of the winds and the strings.
Just like a nightmare of Dmitriy Shostakovich! The music takes you away
to the world of endless "sssss", schoenberg, shostakovich, schnittke,
stockhausen, just to the capital "Sh" like a metaphor of New music. In
this "Sh" the tradition meets innovation. The title "Leningrad
quartet" isn't accidental. In olden days a quartet like this couldn't
exist, but it was wanted. In order of that this paradoxical title
appeared invented by Leningrad resident Kakhovskiy. Talking
about this music would be just like dancing about architecture and so
it could be said: stentorian bells of baritone saxophones are getting
tied from doubled, infinitely multiplied cello fiddlesticks |
 2009 | File | EdP | Editora Do Porto | [EdP007] [Glitch,
Experimental,
Ambient]
Recorded live at Pit Noack's flat in Hannover on the 21st of August 2008. |
File |Just Not Normal |JNN076 [Dark Ambient,
Noise,
Downtempo, IDM]
An album of delightful animative sound sculptures that will take you
on a journey. Expect the unexpected in this electronic improvised
experimentalism coming from a French studio.
|
 2010 |File |Crónica |Crnicast057
[Musique Concrète,
Abstract,
Drone,
Experimental,
Ambient,
Minimal]
"Futurónica 4” is the fourth and final in a series of hour-long
programs that Crónica broadcasted in Rádio Futura in Porto, during the
Future Places festival of 2009. This mix included pieces by Marc
Behrens, Durán Vázquez, Gilles Aubry, Enrico Coniglio, Heitor Alvelos,
Lawrence English, Paulo Raposo, Ákos Garai and @c. |
 2010 |File |Surrism Phonoethics |sPE_0014 [Abstract,
Noise,
Experimental]suRRism-Phonoethics proudly presents you Erick Diego!
A fantastic master spreads his spell from mexico- taped, unrecorded blisters from the sun as doing became her children! |
 1989 |Cassette |Charnel Music |CHC6
[Experimental]
Soundtrack Recording from:
"Illusions of Shameless Abundance. Degenerating into an Uninterrupted Sequence of Hostile Encounters."
A Machine Performance by: Survival Research Laboratories, staged May 28, 1989 in SF at 4th & Perry St.
|
 2009 | File - FLAC / MP3 | TecnoNucleo | TN012 [Microsounds, Musique Concrète,
Abstract]Kofiq is a contemporary sound work between concrete music, microsounds
and computer music. The first cut - kofiq - takes sounds from sources
as diverse as prepared instruments or field recordings taken on the
outside of Can Xalant creation center. An stochastic process takes
fractions of such recordings and arrange it in series or clouds of
sounds. The two cuts following - eora and zyo - take the first cut as
raw material and using a completely independent process break it down
into parts that are mixed to form a new work. |
 2010 | File | Clinical Archives | ca360 [Jazz, Experimental]"La Differanza" was released in 2000 as the second SADO's record. This is the 10th anniversary edition, specially remixed for free download. An
early work of SADO but still very representative of the band. Based on
Jacques Derrida's "Difference" notion. Jacques Derrida begins the essay
"Différance" (perhaps the most systematic articulation of the
non-concept that, according to Derrida, he "has been able to utilize"
in previous works) by talking about the letter a and trying to explain
(though not justify; instead perform an "insistent intensification of
its play") the neologism that he developed. In the first few paragraphs
of the essay, he talks about writing and how the neologism
("neographism" he calls it) is "a lapse in the discipline and law" of
that system, a sort of distruption in writing and, if I may add, in
language and the order of signs in general. Sado's "LA DIFFERANZA" follows this scheme, nothing more, nothing less. |
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