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2007 | MP# | Glitch
City | GC009 [Noise,
Indie Rock,
Experimental]
Track 1 recorded 14 August 2007.
encoded at 128 kbps.
Tracks 2 & 3 encoded at 320 kbps. |
2004 | CDr | Brokecore | Broke019 [Noise,
Experimental]Scissor Shock - "The first minute is doom guitar drone,
equalizer-fucking, some techno torture, and some keyboards. After that,
the fun begins: MORE electronic torture, more gabber beats, and more
screams. Not exactly terrifying, but it still makes Wolf Eyes jealous.
Also note that it's in 1200bpm and i spent 6 hours on it. Made with drum
machine, toy keyboards, roland techno synth, guitar, tons of fx pedals,
computer mic recorded"
Evil Robot Ted - "A bunch of crap noises and samples made and
mutilated with audiomulch. Beats made with Hammerhead and fucked with in
audiomulch. Made in about an hour or two." |
2008 | MP3 | La
P'tite Maison | Maison24 [Sound Art, Electroacoustic, Electronic, Experimental, Noise] |
2009 | MP3 | HAK
Lo-Fi Record | 0182 [Experimental]
Improvisation realisee durant les sessions d'enregistrement ReuReu 2. Enregistre
a Grrnd Zero (bureau 1012), le 14 avril 2009, par Carlos Groenland.
|
2010 | File | Entity
Records | NTT059 [Abstract,
Experimental]
Idle Sunder & Bogdan Dullsky kindly invite you to explore their latest collaborative effort. Finally, the Psygnosis trilogy
|
2007 | MP3 | LEEP | LEEP049 [Experimental]
P color contains samples of Tracy's album Acidoulus pink and girls from
Uranus remixed by Lezet.
|
2009 | MP3 | Meatronic
Recordings | MTR018 [ Harsh Noise, Japanoise, Industrial, Cyberpunk ]Two molten slabs of noise from Japan's Kenji Siratori. This noise album
is unbelievably tasty, but the scorched gastrointestinal tract you may
experience as a result is the price of admission. There really is no
other way. |
2008 | MP3 | Dog
Eared Records | Dogeared37 [Abstract,
Drone,
Experimental]
The latest from Lezet /
Throuroof is four timbrally akin pieces that form the
transluscent walls of their aural pharmacy. I hear the sound of wet
fingers circling around the edges of myriad crystal vials. Meanwhile, a
recurring flock of cloned seagulls seem to be the stereo delayed glee
club inside this four movement experiment. But then again, maybe it's
not an experiment at all. Maybe L/T fully know what L/T are doing.
Through the calculated use of hollowed out and echoic sounds we are
drawn into a digital cathedral that is its own glass pipe organ,
churning out ethereal hymns. The disciplined palette of sounds used
relates to square waves, high frequency attack transients and
incidental effects. This non - busy, unspectacular but nonetheless
tasteful approach to composition ultimately results in a calming
listening experience.
max go |
2010 | MOV | Crónica | Crnicast059
[Industrial,
Musique Concrète,
Illbient,
Abstract,
Drone,
Ambient,
Experimental] This piece covers an abandoned industrial area in the "Ruhrgebiet”,
Germany, called "Lohberg”. The photographs (~250) were taken there in
summer 2009 on a cloudy day. The soundtrack is derived from field
recordings of the Gdansk dockyard in Poland in November 2009. This
somehow is a demo version of the initial piece, which is about 65
minutes long and much slower in transitions.
Michael Rüsenberg, born 1948, works as radio journalist and has been a
sound artist for the last 17 years.
Peter Hölscher, born 1958, works as graphic designer and has been
sculptor and photographer for 20 years. |
2010 | MP3 | Crónica | Crnicast058 [Abstract,
Noise,
Experimental]Throw~ is an instrument originated from the synthesis of different Pd
Abstractions created on different occasions during 2009. It combines
several synthesis forms and can be played in different manners. The
composition of the piece arose from the tonal configuration of the
single functions. Throw~ is completely hand played with Pd. Recorded
live at the "Music for: CPU’s, Instruments and Objects” event, November
2009, in Freibu |
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