tracklist for Vital Weekly 746:
0000 Tune
0014
Appliance - Nocturnal Walker
0317
Voice Of Eye - Improvisation II: Valles Marineris
0619
Jan van den Dobbelsteen - Useless Stones
0923
Jazkamer - Selfportrait
1228
Anne La Berge & Lukas Simonis - Tar To The Ism
1546
Celer
1856
Chip Shop Music - The Great War
2157
The Distractions - Still It Doesn't Ring
2505 Tune
Vital Weekly, the webcast: we offer a free-to-download weekly webcast as
the audio-supplement to Vital Weekly. Presented as a radio programme
with excerpts from some of the CDs reviewed here (no vinyl or MP3s). It
is available on the site for
a limited period of 5 weeks. Download the
file to your MP3 player and enjoy!
JAN VAN DEN DOBBELSTEEN - USELESS STONES (2CD by Cosmic Volume)
Two weeks ago I reviewed 'Dear Mr. Lynch' by Danielle Lemaire, now its
time for her husband Jan van den Dobbelsteen. Together they spend some
longer time in China earlier this year and both have a release out as a
result. Whereas Lemaire's release came in a wooden box, Van den
Dobbelsteen has a book like object with sturdy cardboard holding the two
CDs in place and a few images of stones. It looks absolutely great.
Information wise however this is the usual Van den Dobbelsteen work
(even when we didn't review all thirty six releases in his Cosmic Volume
series): next to nothing. It says it was made at the CEAC residency
project 'Translations' in Xiamen, China, from February to May 2010. The
website of the organizers and those who paid for it. But nothing about
the music itself, or even the smallest bit of information. Cosmic Volume
35 is called 'Useless Stones' and 36 is 'Always Wear A Mirror On Your
Back'. In good spirit and without too much knowledge on China and its
culture, I
googled for both titles, to see if there is some Chinese wisdom hidden
in these titles. The disposable stones seem to be part of the game 'Go',
which I never played. The other title has just one reference: this CD.
So we are back. 'Useless Stones' doesn't have the sound stones, of
course, but some stringed instrument being strummed or plucked with some
bow or motorized appliance. Things move here, but on a very minimal
level. Sometimes with a somewhat longer sustain on the sounds and
sometimes not at all. Quite a curious release indeed.
With the word 'mirror' in the title of the second disc I suspect this
'Always Wear A Mirror On Your Back' to be the mirror of 'Useless
Stones'. Maybe, I might be entirely wrong here, it feeds the sounds of
'Useless Stones' into a max-msp patch and follows the same route as on
the other one, but then entirely sounding computerized, like scrambled
morse code. Like the other CD in this package this is again an entirely
minimal work (maybe a zen like approach?), but with sufficient small
changes to maintain interest for a long time. Maybe not the entire sixty
minutes, again, but well enough for the three quarters of it, unlike
'Useless Stones' which held my attention for the entire length of the
release. (FdW)
Address:
http://www.iae.nl/users/jada
APPLIANCE - RE-CONDITIONED (3CD by RROOPP)
It is kind of funny, I was thinking, to receive a 3CD of, let's put it
bluntly, of 'b-sides' of a band I never heard before. But trusting
Rroopp's good taste in music, I said yes to their question wether they
should send me a promo of this lot. I remembered their three-pack of AMP
(see Vital Weekly 578), which harked back to the days that I had a
stronger interest in all things post-rock. Its not that I don't like it
anymore: every now and then, when time permits I play stuff by Windy
& Carl, AMP, Tortoise, Flying Saucer Attack and bands like that. But
somehow Appliance, a trio of James Brooks, David Ireland and Michael
Parker escaped my attention, but perhaps this was due to the fact they
were signed to Mute Records. That struck me as odd, since hardly a label
for things post-rock, but what do I know about running big time label?
Ok, so I put it bluntly, 'b-sides', but that's not intending to play
down what's on here. Its merely to say that might not be the 'normal'
Appliance stuff,
but rather a collection of BBC sessions, early vinyl material and,
indeed 'b-sides', being stuff from obscure vinyl, compilations and MP3
only tracks. Maybe not their most accessible stuff, and perhaps (again
what I do know?) the more 'difficult' stuff, but then that's probably
the best introduction for a more experimental head like me. I must say
that what I heard from this three hour introduction, I was pretty
pleased. Maybe I wasn't blown away by some of the vocal pieces, in which
the voice reminded me too much of Thom Yorke's voice, but luckily those
pieces are a rarity (mainly on the BBC sessions, it seemed); in other
stuff the voice has more its own. The raw start, as depicted on their
early EPs where the best for me, when they are more on an experimental
level, working with a few sounds, and crafting some nice post-rock pop
songs together. Not over-long doodling in jazz rock/rock like textures,
but miniature excursuses in post rock style. But always keeping in mind a
well
rounded song structure. I liked the instrumental best, usually b-sides
or early stuff. It was a damn mighty fine introduction. Would I rush out
to hear their regular work now? I was thinking about that question. I
doubt that. No matter how much I liked at least two-third of this
release, for the time being its enough to come back to this release a
few more times. (FdW)
Address:
http://www.rroopp.com
JAZKAMER - MATTHEW 28:17 (CD by Pica Disk)
JAZKAMER - SELF-PORTRAIT (CD by Pica Disk)
Readily I admit a few things. I am not the biggest lover of noise
anymore. There's hardly a secret. Also I haven't kept up with the output
of Jazkamer over the years. My fault. But I do like noise when its
played with some imagination. And over the years I always a keen ear for
whatever came from the rooms of Jazkamer my way. There you go. Did I
mention already that I think their 'Pancakes' release is a classic?
Maybe I didn't mention it this time, but I will. Two sides of the same
coin on these two new releases. First, right corner of this match, we
find 'Matthew 28:17', the noise part. Hegre plays guitar and Marhaug
organ and electronics. The bible verse is about Jesus and his
resurrection, and his talking to his apostles. Some worshipped him,
others doubted. I have no idea why Jazkamer use this verse, but this is
Jazkamer absorbing and re-contextualising the world of noise and
psychedelics. Wrapped sounds of guitar distortion, and whaling organ,
all covered with dust and debris of
ring modulation, distortion pedals and such like. Perhaps a bit too
heavy for my taste, but Jazkamer's noise is not restricted to just a
'pure' wall of sound approach. They know what they are doing and they
do, here at least, a great job in their wall of sound approach.
Interestingly enough: the CD lasts longer than 28 minutes and seventeen
seconds.
In the left corner we find 'Self-Portrait', which is an altogether
different work. No track titles, no biblical references, but two men in a
(large?) room, with a bunch of metal and two (or more?) bows at their
disposal. Electronics? Not likely, but perhaps also not excluded
entirely. I assume Hegre and Marhaug sit on the floor with their bows
and play carefully the metal sheets, rods, pipes and what have you.
Sometimes things end up being 'loud' (although to everything one has to
turn the volume up quite a bit), but that's just the ringing of
overtones. In my book this is noise too, but then of an entirely
different nature. Not in the sense of just being 'loud', but in its
approach to the non musical material at hand. In a way I'm reminded of
'Glass' by Sissy Spacek (see Vital Weekly 678), especially the second
piece on there. The non-music approach marks this off as a noise
release, but you should add 'intelligent' to it. A match between two
equal parts. I know some will announce
'Matthew 28:17' as the winner, but in this fine game there were no
winners. Both CDs are part of their 2010 campaign to release a CD every
month. If they manage to hold this level of variation, it's surely worth
getting them all. (FdW)
Address:
http://www.picadisk.com
VARIOUS ARTISTS - AUDIOTOOP II (CD, 3"CD, 7" single, book and badges by Extrapool/Korm Plastics)
It is probably hard to imagine the popularity of the radio play
("hoorspel" in Dutch) today, but in the 1940s it was the form of
entertainment available to a wider audience. Radio plays (or radio
dramas) started live in the 1920s and can be best described as audio
storytelling, depending on dialogue, music and sound effects to help the
listener imagine a story. As such, it is hardly a feature anymore on
today's radio, which is nothing like a tragedy to be honest. The
equivalent of the radio play today is perhaps the audio book, but, with
its lack of music and effects, this pales in comparison. Radio plays
gripped listeners by the throat, they were an audio rollercoaster of
emotions, be it romantic, dramatic or humoristic. Recognizing the
historic value of the radio play, Nijmegen's club Extrapool first
engaged into organizing an evening of radio plays set in a live
environment in early 2005, under the name of Audiotoop. The results were
documented in a book and CD. For Audiotoop II,
Extrapool and Korm Plastics invited sound artists, musicians and other
artists to develop a radio play or to work with this theme. There were
no limitations other than that the pieces had to rely on a narrative
backbone. The results of the presentations were to be published in the
form of a CD/book, which is right in front of me. And what a package it
is; even if stencil printing is not your favorite graphic technique, you
cannot help but being impressed by the scope of this package. Audiotoop
II features one mini CD, one regular sized CD, one single, three badges
and a large book of postcards all wrapped up in a heavy carton cover.
This looks spectacular! The plays are divided in three formats: 18
one-minute pieces on a mini CD, 3 longer pieces on a regular sized CD
and 2 pieces on the single. It is difficult to tell a cohesive story
when restricted to one minute and that shows on the mini CD. The pieces
by Leif Elggren and Edward Kaspel (whose voice seems created for story
telling)
at least show the promise of a radio play, but there are more tracks
that feature random voices, hints of voices, unrecognizable voices or no
voices at all (Lucky Dragons or Howard Stelzer). That does not mean
these are not good tracks, it just means they took a more abstract
approach to the subject. There is great material by Wolfgang Müller
(from Tödliche Doris), Greg Malcolm, Roel Meelkop and Idea Fire Company
(to name a few). There is also not-so-great material by Runzelstirn und
Gurgelstock, who contribute random noises without voices, sounding
passée in the process. Worth a separate mention is "Prijsvraag" by Frans
de Waard. This radio play is actually a quiz where you can win 10 Euros
if you guess the sound - a reply card has been enclosed with the
package. The regular sized CD features longer material (up to 30
minutes) by Coolhaven, Power Plant and Mai Marie & Soul is You. Here
the stories are more to the fore, with time allowing the artists to
develop something of a plot
(even though "plot" would be a subjective term). The Mai Marie &
Soul is You contribution is in Dutch, but don't let that put you off.
Finally the single has 2 tracks by Bertin van Vliet, who, on Polka Dot
Com sounds like Asmus Tietchens' Aroma Club (and that's a compliment).
The B-side features a longer story on space and space travel. The three
badges included in this package are all different in format. I'm not
what their link to this project is, but they do look great. So here we
have a utterly beautiful package and concept, bringing the radio play
back to live, but not restricting itself to the traditional format.
Artists were given liberty to work with this concept. That is what
Audiotoop is about and that is what makes this a wonderful piece of
work. (FK)
http://www.kormplastics.nl
FANFARE POURPOUR - DANSE DES BRELOQUES (CD by Ambiances Magnetiques)
THE RENT - MUSIQUE DE STEVE LACY (CD by Ambiances Magnetiques)
ANTOINE BERTHIAUME - SMALL TEASE (CD by Ambiances Magnetiques)
KIYA TABASSIAN/PIERRE-YVES MARTEL/ZIYA TABASSIAN - MASAFAT (CD by Ambiances Magnetiques)
Four new releases from Ambiances Magnetiques. After their joyful CD with
works by Lars Hollmer, who sadly died in 2008, Fanfare Pourpour now
returns with a bunch of self-made compositions. One of them is again a
homage to Lars Hollmer. And in a way this ensemble is close to the
spirit of Hollmer's repertoire. Folk-based music with dominant melodic
and harmonic features. Many of the members of this ensemble we know from
more experimental and unusual music. But in Fanfare Pourpour they
celebrate their love for accessible dance tunes coming from a diversity
of traditions. The title track "Danse des Breloques" has balkan roots,
but elements of tango, waltzes, pasodoble, chanson, etc. also pass by.
Again an irresistible work I have reviewed several other CDs by
Berthiaume for Vital Weekly. The continuity in his releases consists in
choosing for each release a new musical direction. Earlier works embrace
his improvisations with Bailey and Frith. Also he made CD of very
accessible easy
listening jazz, etc. He seems to feel at home in many different musical
contexts. So I'm always curious what will be the next step by
Berthiaume. With "Small Tease" he shows his affection for folk music.
For those who know his western-folkgroup Rodéoscopique, this will be no
surprise. "Small Tease" is again a very accessible music, albeit
thoroughly constructed and played with great skill. The CD counts 11
pieces. Five of them feature Berthiaume playing solo guitar, dobro or
banjo. The other six pieces are for different line ups, with drummer
Stefan Schneider, Rémi-Jean Leblanc on doublebass, Rick Haworth on pedal
steel, and a string trio with Jennifer Thiessen, Améline Chauvette
Groulx and Erika Donald.
The Rent is a Toronto-based quintet of Kyle Brenders (soprano sax), Nich
Fraser (drums), Susanna Hood (voice), Wes Neal (bass) and Scott Thomson
(trombone). They pay a tribute to Steve Lacy, by playing several of his
compositions. I‚m not very familiar with the work by Lacy, who left a
gigantic oeuvre and was inspired on his turn by Thelonious Monk. If this
is the same for you, I guess The Rent offers you a good opportunity to
change this. It swings but is a bit cerebral too at the same time. The
Rent give a very inspired interpretation of Lacy‚s compositions that
never sound outdated. With "Musique de Steve Lacy", The Rent offers a
fine tribute to Lacy and his compositional talent, and they bring a
convincing first record to your attention.
"Masafat" is the work of a trio: Kiya Tabassian on setar, and
shuranguiz, both Persian string instruments plus violin, Pierre-Yves
Martel on prepared contrabass and Ziya Tabassian on percussion. Ziya
Tabassian is specialized in early as well as contemporary music. He
released a solo album on Ambiances Magnetiques earlier, experimenting
with old Persian music and improvisation. Kiya Tabassian received his
initial training in Persian music and studied composition in Montreal
later. He is co-founder of Constantinople, an ensemble that concentrates
on medieval and renaissance music. Kiya and Pierre are also member of
this ensemble.
With "Masafat", meaning "Distance" they joined for an adventurous
undertaking: free improvisation combined with traditional Persian music
and instruments. Not in every aspect a satisfying release. Sometimes it
is a bit too amorph and unfocused for my taste. Maybe I‚m not familiar
enough with the grammar of eastern music. Anyway, there are also some
very strong moments, like the opening of "Casselma" or the middle
section of "Dungevan". Or the bluesy tune "Gatineau". (DM)
Address:
http://www.actuellecd.com/
JOB KARMA - PUNKT (CD by OBUH)
It wouldn't be exaggeration to call Polish label OBUH Records legendary.
Since 1987, the label has released experimental music on physical
formats such as vinyl, tapes and CDs, with a wide spectre of releases
spanning from Francisco Lopez to Wumpscut. Present just-launched album
comes from Polish project Job Karma, being a joint venture between
Macjiek Frett & Aureliusz Pisarzewski. The twosome had their
debut-album "Cycles per second" released twelve years ago and since then
a number of releases on CD, CDR and DVD has come out. Latest shot from
Job Karma carries the title "Punkt" and stylishly we find ourselves
somewhere between ambient and industrial with some slight ethnic
influences. Concrete noises is just one part of the expression that also
includes subtle dronescapes and (electro)acoustic elements such as
drums and guitars. Some tracks recalls the electro-punk scene of the
late 70's meanwhile other tracks approaches the ambient-scene of
chilling trance-induction and subtle
rhythm textures. Interesting album indeed. (NM)
Address:
http://www.obuh.serpent.pl/info.html
HANNES LOESCHEL - SONGS OF INNOCENCE (CD by Col Legno)
Loeschel is a Viennese composer and musician with a background in
performing contemporary music. Later he became more involved in
improvisation, continuing composing for dance, theatre, etc. I have
played his CD "Herz Bruch Stuck" endlessly. It had a perfect balance
between jazz and viennese music and soul. With his new work Loeschel
composed music to the "Songs of Innocence", a cycle of poems by William
Blake, plus another poem - "Chapel of Gold" - also by Blake. The music
is performed by his ensemble Exit Eden: Clayton Thomas (bass), Burkhard
Stangl (guitars, fender rhodes) Theresa Eipeldauer (vocals, backing
vocals), Thomas Berghammer (trumpet, flugelhorn). Hannes Loeschel plays
piano and fender rhodes. It is a fantastic ensemble, playing with much
understatement and as a consequence the music is constantly tickling and
itchy. Concerning this aspect it is comparable with 'Herz Bruch Stuck'.
Freaky guitar playing from time to time, but never dominant and always
contributing to the
whole. The same can be said of the fine trumpet playing by Berghammer.
Special guest is Phil Minton, lending his characteristic voice for this
project. His deep voice is still in tact. No wonder that the songs that
carry his voice are substantially defined by his baritone. Special
mentioning deserves Willy Puchner for the excellent illustrations of the
textbook. (DM)
Address:
http://www.col-legno.com
CHIP SHOP MUSIC - YOU CAN SHOP AROUND BUT YOU WON'T FIND ANY CHEAPER
A quartet with a funny name, from the world of improvised music. The
first time the played together, they did a recording and that was their
self-titled debut album. That was in 2007, and from then this quartet
played together a lot more. Now they come up with their second album.
The musicians are Eric Carlsson (percussion), Martin Kuchen
(saxophones), David Lacey (drums, electronics) and Paul Vogel
(electronics). The cover doesn't specify anything about the nature of
the recordings, wet]her these are live recordings or studio material,
but somehow I think its the latter. The music is quite carefully
constructed, based around electronics and percussive elements, although
its not easy to decipher who's doing what in here. Throughout they play
in a very relaxing mood, placing great emphasis on letting things
develop, sustain and die out. That is a great quality of this release,
but I must also admit that in the end, after three of these lengthy
excursions I was also a bit annoyed. The
relaxed, spacious playing and placing of small sounds starts to work a
bit against the music. There is hope for a counterpoint, an explosion of
some kind, an outburst. But none such happens, which is a pity. In the
end this is a very fine release, but staying a bit too much on the
careful side for a bit too long. (FdW)
Address: <
d_laceyy@yahoo.com>
CELER - PANORAMIC DREAM BATHED IN SELDOMNESS (CD by Basses Frequences)
With the passing away of Danielle Baquet-Long, Celer also stopped. But
her husband Will Long devotes himself to releasing all the works that
they composed together. So 'Panoramic Dreams Bathed In Seldomness' was
recorded in 2006 and 2007 and uses field recordings from Pakistan, India
and Nepal, as well as a ney, skateboard, titles, cello, violin,
electronics, contact microphones, micro cassettes, bontempi 9 organ,
electronics, piano, reel-to-reel, splicing and mixing board. Celer has
released quite some material over the years, so those who 'know' them,
know what to expect. I wasn't surprised by this. Well no entirely. A
piece like 'Who Feels Like Me, Who Wants Like Me, Who Doubts Any Good
Will Come Of This' is a classic textbook Celer piece: long sustaining
sounds, which flow like weightless material in orbit. That is still the
majority of Celer's music and that's good. It is what we expect, I
guess, and that's a good thing. I really didn't expect them to change
that much. What puts
the icing on this particular cake is the effective and sparse use of
field recordings, which add a nice extra layer to the music, an aspect
of exotica. Hissy, mysterious and creating an otherworldy aspect. That
makes this particular Celer a somewhat even greater release than many
others by them. (FdW)
Address:
http://www.bassesfrequences.org
LUKAS SIMONIS & ANNE LA BERGE - RUST FUNGUS (CD by Z6 Records)
With a career that easily goes into its third decade now, Lukas Simonis
has been all over the place. From stints as a 'regular' guitarist in
bands as Dull Schicksal and Trespassers W, he is these days active with
Coolhaven (a band that defies every description I guess) and furthermore
as an improviser. In recent times he has made a couple of collaborative
records, and this is his latest. He teams up with Anne La Berge, who
lives in Amsterdam, and plays flute, electronics and voice. The world of
improvised music, a duet of two people, two instruments and lots of
electronics to sufficiently alter the sounds of the instruments. You can
hear the pleasure they have in playing their instruments, the
electronics and the interaction between the two. Unlike many others in
this field, they tend to keep their pieces short and to the point. No
lengthy, careful excursions, well balanced material, but sometimes crude
playing, with white noise meandering about. The flute is throughout
more
difficult
to recognize than the guitar, but its the sheer joy that counts. Buzzing
(some literally with cable hum and speaker noise), vibrating and
bouncing, this moves all over the place. Joyful improvisation! (FdW)
Address:
http://www.z6records.nl/
NOISE OF COLOGNE 1 (CD by Mark e.V.)
Noise can be, of course, a lot of things. So whatever you assume of
'Noise Of Cologne', you might be entirely right or wrong. Its the city
of Kompakt, A-Musik, and once of Staubgold, but perhaps more
importantly, also the city where in the early 50s Stockhausen and Eimert
composed the very first purely electronic pieces. Its in that tradition
that we place this compilation. Berlin may be a vibrant city, but so is
Cologne. Of the seventeen acts/names I recognized only a few: C. Schulz
& F.X. Randomiz, Thomas Lehn/Marcus Schmickler and Frank Schulte.
None of the other names ring any bell. The music is throughout not
really the sort of noise which you sometimes find in these pages, as
discussed by Jliat. No walls of feedback and distortion terror, or
adolescent screams for sex and death. The music is indeed more along the
lines of early electronic music such as in the pieces by Hans W. Koch,
Volker Hennes, Frank Barknecht and Siegfried Koepf. From the world of
improvisation we find
Michael Beil, Manner Mit Motoren, Matthias Mainz while micro glitches
from Schulte is lone cowboy. Maybe the only true noise is the duo
Lehn/Schmickler and the short improvisation by Robert Vater and the best
piece is the one that is entirely built from train sounds by
Schulz/Randomiz - which makes that a very french piece - same time,
other tradition. Throughout a nice compilation, and one where you can
find lots of great new names. (FdW)
Address:
http://www.reihe-m.de
OSSO EXOTICO - SABLIER (LP + DVD by Serralves)
In a plain virgin, nice cardboard sleeve with a small die cut, we find a
LP and a DVD by my all time favorite Portuguese band Osso Exotico.
Perhaps Osso Exotico shifted to the back of my memory, seeing David
Maranha, at least in the last decade, more and more active as a solo
performer and improviser. But 'his' band still exists and consists of
his brother Andre Maranha, Francisco Tropa, Patricia Machas and Manuel
Moto. The website of the label (which seems more like a prestigious art
institute) doesn't seem have any information regarding this release, or
the performance connected to it. It seems to be some kind of
performance, which the band performed a few times, the DVD was shot on
March 15th 2009 and the LP recorded a week later. I started with the
DVD, in which I see two hands with paint or chalk performing some kind
of action painting, but almost in slow motion. It also seems if the
sounds of the underground on which this action is performed, is
amplified. Slowly it is revealed
what the underground is and what the objects are, which are in the
hands. I won't spoil that. There is also music in the background, organ
perhaps, guitar maybe, but it stays in the background, and seems to be
filling in the gaps. On the one sided LP the music is more in balance
with the action, which involves, it seems, the same action but here the
music is more upfront, which is quite nice. A similar, minimal approach
which regards to organs and guitar, as well as the scrapping of the
surface. The music is very gentle, unlike some of the more demanding
solo music of David Maranha (which is more like Velvet Underground), and
also, it seems, more loosely improvised than some of the more tighter
composed pieces of the older Osso Exotico. Throughout however, in all
its briefness (two pieces of twenty minutes), a more than excellent
product. Osso Exotico never lets me down. (FdW)
Address:
http://www.serralves.pt
JIB KIDDER/EARZUMBA (LP by Old Gold)
C.D., erstwhile in Reynols, and since long solo as Earzumba, is a man of
plunderphonics. Armed with sampling keyboards, instruments (guitar,
drums), he fills every available gap in his music with snippets of
sounds, mainly voice related material. He has released a whole bunch of
works, which I quite enjoyed and his side to this split LP doesn't
disappoint me either. There is a great vibrancy to his music, which is
both pleasing and entertaining at the same time. That's good. Yet there
is a small consideration to be made about Earzumba's music and that is
wether one could wonder if it is about time to change a little bit. Try
out a new path maybe, say a radio play, working around a central theme,
divided into various chapters? Maybe a thought to consider?
Jib Kidder is a new name for me. A guy who studied with Alex Kvares and
Jimmy Young from Atlanta and who is more an audio-visual artist. It
seems to me also a man of keys, electric piano, sampling keyboard set
against the wildest free drumming (maybe from a box, maybe live, or,
more likely, a combination of both). Like a jazz funk record. Jib Kidder
has been called 'a funky Books', which is not something I share, as The
Books seem to have a more delicate sound than this wild free rocking
bunch of lunatic sounds (which I mean to be positive). Quite a driving
force here but it works quite well. Also on the side of plunderphonics,
but in a more musical context. A DVD-R of crazy videoclips do the trick I
guess. Wildly chopping up found footage.
Address:
http://www.oldgold.org
DAVID RUSSELL - ARCHITECTURE (7" lathe cut by Pilgrim Talk)
A lathe cut is a piece of plastic with grooves in it. Its a record but
not vinyl. It has a somewhat lower fidelity than a normal record and I
guess that's what attracted David Russell to put together an eleven
piece loop based sound piece on the two sides of such a record. Bits and
pieces from out of print tapes and some new pieces. He calls himself a
loop maestro, but I beg to differ. The loops, and thus the music, is
quite crude in nature. Although not really noise based, there are
elements of feedback and distortion to be spotted in here. The nicest
thing is the brief character of the songs, all of which having titles,
although nothing as such is specified on the record itself. I guess its
an alright curious little beast. Not the best ever, but a small naive
little noise blast. Very home made - in every aspect. (FdW)
Address: <
bumbrelladonkey@hotmail.com>
VOICE OF EYE - THE PORTLAND IMPROVISATIONS (CDR by Conundrum Unlimited)
First of all this: this release comes in a shrink-wrapped digipack, in
an edition of 500 copies, but its still a CDR. Why not press a real CD I
wondered? In August last year Voice Of Eye traveled to Portland, Oregon
to play a show by invitation of one Soriah. Voice Of Eye set up,
soundcheck and wait. But unlike some drinking bands, they pass their
time by playing music. In this case, an hour worth releasing, on objects
and devices found in Soriah's house - although not exactly is specified
what those objects are. The cover says that all 'all sounds herein are
acoustic in origin', which may mean that they are fed through a line of
electronics. Voice Of Eye in their current incarnation are a band that
combines improvisation with ambient textures. So lengthy 'oohs and aahs'
are sung into the microphone and a simple tick to a cup can expand into
a small symphony of sound textures. Three of these improvisations, plus
a fourth one, a bonus track (which I must admit didn't alternate very
much from the other pieces) is indeed well enough. Rather than hearing
this music in a very conscious way, which is no doubt the task for a
reviewer, one should just lie back and let it a flow about. Dark,
atmospheric, ambient, all those words that did apply to their previous
releases, and in fact ever since they started, apply to these
recordings, yet its played with a certain looseness, which is an
uncommon thing in the world of ambient music. Its actually quite nice,
but especially when one doesn't try and figure out if there are such
things in play as composition or structure. Relax your mind and float
downstream. (FdW)
Address:
http://www.voiceofeye.com
AUTOPSIA - FACTORY RITUALS (DVD-R by Illuminating Technologies)
In my heart there is always space for Autopsia. I know, I know. Its
perhaps not something you'd expect from me, Autopsia being, at least for
some, a gothic band of orchestral sampling and/or a small time version
of Laibach, but maybe its a historical thing that I like what they are
doing. I first came across them on a few compilation cassettes in the
80s, eventually released a whole cassette by them, and after that kept
up with them. Their CD 'Death Is The Mother Of Beauty', one of the
earliest CD releases on Staalplaat, is still a particular favorite.
Since a few years, Autopsia keeps me informed of new releases and so I
got this release, which is, apparently, part of Mirror Of Destruction,
an exhibition in Museum of Modern Art in Belgrade. Lots of black and
white footage of factory halls, cars, Mercedes flags, but also nature
shots. Some moving images, some static images. All in a rather political
mood, which is something I haven't seen that openly before with them.
Nice enough,
but
not something I would watch a lot. I'd always rather go for the music.
That is an odd mixture, like always it seems, of those much sampled
orchestral sounds and industrial sounds. The mechanical rhythm of
industry in motion. 'Gothic' perhaps, but there is something in
Autopsia's music that I like. Perhaps its just the mighty cliche of
classical music, the pompous playing of horns blearing away, much
strings and percussion hammering. A form of military marching music
even. This I liked more than the actual films, which, I must admit add a
frighting sight. Not easy listening, but demanding - although not
always on a pure musical level. (FdW)
Address:
http://www.illuminating-technologies.com/ikkona_film.html
THE DISTRACTIONS - BLACK VELVET (mp3 by Occultation)
True, we don't review MP3 only releases, but the promo for this comes
pressed on a real CD, so who knows: if you ask maybe you can buy one
too. Now The Distractions should not belong in Vital Weekly. The three
pieces show the come-back of a band that did a great 7" on Factory
Records in 1979 - and that's perhaps the reason why I am reviewing this.
For my birthday last month I bought James Nice's new book on Factory
Records, which sits nicely among all the other books I have on this
subject. The Distractions were the anti-thesis of Joy Division - post
punk versus pop, although both bands played together. But The
Distractions left Factory for Island Records and imploded shortly after
that. Now there are back, and Occultation will release a compilation of
all the old material and new songs recorded this year. As a teaser the
label releases these three tracks from a mid 90s recording session.
Three melancholic songs. Rock music with a burning passion. Mike
Finney's voice is still great.
'Black Velvet' is a blues like song, while 'Still It Doesn't Ring' is a
catchy as hell pop song, while 'If You Were Mine' is again a
heartbreaking blues piece. Nothing for Vital Weekly, but the more I play
this, the more I like it. Absolute great popmusic. (FdW)
Address:
http://www.occultation.co.uk
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